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Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 2) 挖掘「資料化世界」：透過藝術超越反烏托邦與烏托邦的二元對立視角-2
A genealogy of data as sculpture: archaeological precedents in ancient civilization and artistic carrier of data in contemporary society... Gyung-jin Shin's attempt for sculptural carriers of data in her solo show, October 2025.
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1) 挖掘「資料化世界」：透過藝術超越反烏托邦與烏托邦的二元對立視角-1
from suspected loss of humanness to the moderation of knowledge asymmetry in the AI milieu: have we always existed as data? Linda Lai understands Gyung-jin Shin's solo show "Unmined..." as a proactive engagement with the materiality of data containers.
The Kid, Bruce Lee: immediate post-WII HK society & local cinema’s pedagogic burden 《細路祥，街童李小龍：戰後香港社會和港產影話戲的道德包袱》/ Linda Lai
The pedagogic burden of cinema on/about/on behalf of children has been a perennial concern, especially in contingent moments when control and discipline become critical 有關香港「細路祥」三篇連載。2020-2021期間，黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
Notes on telling ghost stories as a folkloric pagan Christmas tradition 聖誕連冬至：講鬼故的風俗 / Linda Lai
On Winter Solstice this year (21 December 2025), FP writer Linda Lai researched on the tradition of telling ghost stories at Christmas in Europe, as an alternative introduction to Floating Project's mysterious film duscussion of a 1961 ghost-story film by Hector Rodriguez (23 Dec 2025).
On sharing shape-shifting AI real world narratives in a trade-show environment / Linda Lai
Revisiting a data-driven real world narrative by an RCA group of artist-researchers at SIGGRAPH ASIA 2025, I return to a long raised question in my reearch: how do we do justice to data-driven works of dense proceduralim to augment literacy value in a digital art show?
![[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」/ Linda Lai](https://fpchk.s3.ap-southeast-1.amazonaws.com/Still03_MN_Visualpoem_Linda_Lai_dry_Rain_4922c5aefd.jpg)
[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」/ Linda Lai
Linda Lai pins down a brief on her nomenclature of "micro narraqtive" as an open, performative, umbrella concept to develop her theories of sight-and-sound in relation to historiographic experiments.
Tracing my steps into art pedagogy for media art and for the new media environment 媒體藝術的涵蓋和教育實踐：細步走來，迂迴曲折 / Linda Lai
In response to ZKM's invitation to speak at their Media Art 21 (MA21) Forum to take place in Hong Kong during the Art Basel period, Linda Lai outlines the reflection on her 25+ years of journeying in tiny steps towards a paradigm of (new) media art that answers HK's local needs as well as bears a future-oriented vision for media art education. 因應德國 Karlsruhe 的新媒藝術中心 ZKM 的邀請，我動筆勾劃了以下的大綱，值此追溯我在過去這二十多年來詢問有關（新）媒體藝術的種種而自行編出的細步，會在它們於巴塞爾藝術節樹起的香港論壇 MA2 分享。
FP at BOOKED 24: digging treasures from the past, creating tracks for the future 大館書展2024作據點：挖寶、於當下立竿、為前路畫線
Floating Projects at BOOKED 2024 marks her stepping up to realizing a a more embracing virtual community via writing, reading, sharing, small publishing, and our own take on the zine culture with diversity and archival intentions. 20 new zines/monographs + over 20 past represented publications
The Liminal Space of Godfrey Reggio's Qatsi Trilogy: the Unseen be Seen, and...?
Originally an invited contribution by HKIFF, the piece is Linda Lai's renewed understanding of Godfrey Reggio's "The Qatsi Trilogy." What is experimental about it? Can cinema stand alone as critique of a prevalent human condition? 受2024 香港國際電影節約稿，黎肖嫻重讀三十幾年前開始接觸的烈治奧的文明末世的沉思 --「生活三部曲」。時代變了，今天看這三部曲，為何？
