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Searching for tag: experimental-cinema

The Liminal Space of Godfrey Reggio's Qatsi Trilogy: the Unseen be Seen, and...?

The Liminal Space of Godfrey Reggio's Qatsi Trilogy: the Unseen be Seen, and...?

Originally an invited contribution by HKIFF, the piece is Linda Lai's renewed understanding of Godfrey Reggio's "The Qatsi Trilogy." What is experimental about it? Can cinema stand alone as critique of a prevalent human condition? 受2024 香港國際電影節約稿,黎肖嫻重讀三十幾年前開始接觸的烈治奧的文明末世的沉思 --「生活三部曲」。時代變了,今天看這三部曲,為何?

《虛遊迴路》 作品分享 - 意識的拓展,冥想與擴展影院 Meditation and expanded cinema for stretched consciousness

《虛遊迴路》 作品分享 - 意識的拓展,冥想與擴展影院 Meditation and expanded cinema for stretched consciousness

如何把新紀元論述中的「脈輪」觀念化成藝術的感知,開拓新經驗呢?這是嘗試,也可以實驗。伍昇耀於據點2023年二月份的作品就是這種嘗試的體驗,膨脹電影,由頌缽開始。這是創作者的自述。 Stanley Ng revisited the artist's narrative he wrote for his show at Floating Projects (2023.02) and rewrote it in Chinese.

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品(1935-2015)去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。

Floating Projects Collective 2026