The Kid, Bruce Lee: immediate post-WII HK society & local cinema’s pedagogic burden 《細路祥，街童李小龍：戰後香港社會和港產影話戲的道德包袱》
The pedagogic burden of cinema on/about/on behalf of children has been a perennial concern, especially in contingent moments when control and discipline become critical 有關香港「細路祥」三篇連載。2020-2021期間，黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
Celluloid Hegemony: Episodes of Political Organization and Post-War Taiwan Cinema 1-4 《膠卷霸權：政治組織與戰後台灣電影的風景 1-4》
This monograph explores Taiwan in the 1960s when cinema was a site of cultural expression as much as a contested apparatus for the manufacture of political mythologies highlighting a new home and modern society.
Ghosts: Atmospheres of Mystification, Henry James in focus 《亨利詹姆士的鬼（叙事）：神秘作為一種氛圍》
Focusing on two seminal ghost stories by Henry James, Sir Edmund Orme and The Turn of the Screw, this monograph explores some aspects of horror fiction. It is the first of an ongoing series of analyses focusing on the nature of horror in art.
Notes on telling ghost stories as a folkloric pagan Christmas tradition 聖誕連冬至：講鬼故的風俗
On Winter Solstice this year (21 December 2025), FP writer Linda Lai researched on the tradition of telling ghost stories at Christmas in Europe, as an alternative introduction to Floating Project's mysterious film duscussion of a 1961 ghost-story film by Hector Rodriguez (23 Dec 2025).
On sharing shape-shifting AI real world narratives in a trade-show environment
Revisiting a data-driven real world narrative by an RCA group of artist-researchers at SIGGRAPH ASIA 2025, I return to a long raised question in my reearch: how do we do justice to data-driven works of dense proceduralim to augment literacy value in a digital art show?
![[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」](https://fpchk.s3.ap-southeast-1.amazonaws.com/Still03_MN_Visualpoem_Linda_Lai_dry_Rain_4922c5aefd.jpg)
[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」
Linda Lai pins down a brief on her nomenclature of "micro narraqtive" as an open, performative, umbrella concept to develop her theories of sight-and-sound in relation to historiographic experiments.
Tracing my steps into art pedagogy for media art and for the new media environment 媒體藝術的涵蓋和教育實踐：細步走來，迂迴曲折
In response to ZKM's invitation to speak at their Media Art 21 (MA21) Forum to take place in Hong Kong during the Art Basel period, Linda Lai outlines the reflection on her 25+ years of journeying in tiny steps towards a paradigm of (new) media art that answers HK's local needs as well as bears a future-oriented vision for media art education. 因應德國 Karlsruhe 的新媒藝術中心 ZKM 的邀請，我動筆勾劃了以下的大綱，值此追溯我在過去這二十多年來詢問有關（新）媒體藝術的種種而自行編出的細步，會在它們於巴塞爾藝術節樹起的香港論壇 MA2 分享。
Art as Articulation: Media, Meaning & Technology 藝術的發聲和接合：媒體、意義、科技之間
Art liberates us from technology by liberating technology from whatever we already think it is. 藝術將科技從我們已經認為的東西中解放出來，從而將我們從技術中解放出來。Published as FP-monographs
FP at BOOKED 24: digging treasures from the past, creating tracks for the future 大館書展2024作據點：挖寶、於當下立竿、為前路畫線
Floating Projects at BOOKED 2024 marks her stepping up to realizing a a more embracing virtual community via writing, reading, sharing, small publishing, and our own take on the zine culture with diversity and archival intentions. 20 new zines/monographs + over 20 past represented publications
「看不見的城市」，一個起點，五種呼吸 Invisible Cities: 1 idea, 5 sentiments...
鄧一言從「看不見的城市」出發，一個起點，五種態度，五種呼吸。 六個創作人展開對香港城市的深度拉闊。In "Invisible Cities," curator Ian Tang gathered 5 artists, resulting in a multitude of attitudes, curiosities, and sentiments... to refresh our attentiveness to the place we live.
