
https://onehundredwaitings.blogspot.com/2021/06/10.html Friday, 4 June 2021 10 Still me, this Friday, getting back into writing like it’s some last resort or the first thing I’ve ever done. And why write anyway? It can’t simply be because not writing is so bad—because quite frankly there are times, again and again, that I disappear from writing. It’s a […]
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https://onehundredwaitings.blogspot.com/2021/07/13.html Monday, 5 July 2021 13 I struggle to make space to write because I want to be like a door, an opening between what is and what could be, even when I know that’s not possible. So many openings shrink away after they’re revealed. The quiet voice not always audible; the quiet rooms not […]
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Several members of the Floating Projects Collective (FPC) will be in dialog with California-based Artist-writer Zach McLane. To Zach’s pieces in his One Hundred Waitings project, FPC folks will respond with photography, graphics, or sight-and-sound. This is an introduction to the general sentiments of this exchange. What is waiting? What is writing? **feature image: site […]
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2022.01.02-02.05. The duo Ma Wik (Joyce) and Wong Sin (Zero) opened their “Ferocity & Wonderment” with a happening impregnated with recitation and sounds. The two artists share the text of their live reading below… 馬域和汪倩的雙個《殘酷與美好》以即興行為作序幕。聲音和朗誦一地灌滿。朗讀的文本在此分享。
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Speaking through faint old objects, FP Manager/writer Wai-leung Lai re-experienced his past as a precarious future as he packed up the public estate flat where he grew up. 與母親收拾細軟之際,據點作者黎偉亮鑽進這個她守望了半個世紀的公屋小宅,順道借舊物說說往事一二,比比今昔。從昏黃細物中,他看見了似近實遠、隱而即現的「未來」。
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Make For Green brings together 12 strangers to enact a community of fledging survivors of a coastal community at the edge of time, prompted by 4 sets of brief for action, initiated by Ray LC and other researchers…
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MAKE FOR GREEN, conceived by FP member Ray LC with other researchers, resulted in a pop-up exhibition of participatory art works using design fiction approach to actions for climate change. Although the show is finished, Ray shares the process, rationale, and deliverables of this short exercise.
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“Micro Narratives 2021: Layered Vision” at Floating Projects | 11 December 2021, 6-8pm | Linda Lai’s pedagogy: materialist cinema, agential realism…
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張子木策劃放映:三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
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“PRISMATIC” is about design practices on bodily and wearable interactions. The show features a series of works and works in progress created in an MFA course Research Through Fabrication at CityU’s School of Creative Media. Research. Collaboratively learning through physical making, the artists using Arduino programming, garment making, leather working, laser cutting, wood-shopping, etc., leading to the production of the current exhibition, mentored by RAY LC.
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