Category: Eat Well Drink Well Breathe Well 吃好喝好透心涼
最重要是可以繼續呼吸，腳下還有可站立的地，或許可以生根。好好照顧自己。Live well. Be nice to Earth. Food ethics. Anti-consumerist life-style. Good recipes to share. Good survival tips. Take good care of yourself, your body and your mind… …
「眼睛總盯著那裏…很想看多回」（三）：我們都可以是魔術師 "Can't help fixing my gaze... wanna watch again” 3: We could all be magicians
Perhaps too good to be true? indeed mainstream movies, though produced with a commercial incentive, are often the makers' personal projections of an ideal world even if it is impossible in real life. Some regard fictionalization to be an illustionistic escape, but fictionalization is a humanistic form of agency. UFO filmmaker Lee Chi-ngai's aspiration is uncompromising: we could all be magicians, to ourselves and to one another, and, we must be. 常道虚構和想象是逃避現實的幻覺主義的表現，與落實建設社會背道而馳。換個角度，虚構是能動的體現，創作者投射的自由，開啔着一扇門，讓我們窺見别的可能性。電影人李志毅的個人投射清晰而肯定：我們都可以是人生的魔術師，是自己的，也是彼此的，而且必須如此。
「眼睛總盯著那裏…很想看多回」（二）：動漫魔法化真人演出 "Can't help fixing my gaze... wanna watch again" (2): Comics magic turned live-action realities
Second of film-buff Wai-leung Lai's notes – this time, a rehearsal of many memorable film adaptation of anime or comic series, especially Japanese comic series and popular novels as a unique source of dramatic imagination. 「很想看多回」系列的第二回，經年浸淫的影迷黎偉亮繼續他一個人看電影的紮記，天南地北，把漫畫、動漫、真人電影、日本、香港、美国、中國拉上㸃線的結連。
「眼睛總盯著那裏…很想看多回」（一）：穹蒼下的天使 "Can't help fixing my gaze... wanna watch again" (1): Angels on Earth
我們强調發表、分享。體會、觸動、聨想、推理，是所有（有想法的）人的權利。這個系列，以港產片為主，牵連着的，天南地北，多國風景。從一個人看電影到我們都看電影… …。這個系列，是據㸃作者黎偉亮的看電影扎記分享的平台。FP writer Wai-leung Lai will share his movie-viewing experiences in a growing series, making connections between film-viewing and living in contemporary society.
看「縫補歲月」，聽歲月留聲 Mending Years, fleeting sounds
FP writer Wai-leung Lai visited group "Mending Years" as sounds from the past collaged to invoke contradicting thoughts about the 1960s and 1970s. Is there a single reading of the past? He starts with Linda Lai's "Domestic Moonlighting," Wong Kar-wai's films and more. 「據點」作者黎偉亮徐步於「縫補歲月」的五人展場中，聲頻片段拼貼湊合的氛圍喚起的是矛盾不一的記憶與論述。到底上世紀六七十年代是怎樣的？真能客觀定斷嗎？先由黎肖嫻的《家居副業》和王家衛等說起。
關於當年父親艱苦謀生和先母幫補家計的二三事 Two or three things about my father's struggle through hardship and how my mother provided subsidies 1960s-80s
To fill in the almost unconquerable blank spaces of her grand parents' days through the 1960s-80s, Winsome Wong asked her father to write what he remembers, a precious piece to add to the puzzles of Hong Kong's so-calle “golden age” of manufacturing industries. 為了填補照片和家常對話所留下的空白，黃慧心發現最好的下一步是請當年寫文章了得的父親去紀錄他的父母親的軼事，呈現的不單是她祖母模糊不解的過去，更是香港上世紀六十到八十年代小市民掙扎著活下去的面貌的清晰碎片。
動畫創作手記：一個箱子的依存 Notes on Animating the Livelihood (of)in a (Tool-)Box
去年九月，劉清華抵達台灣伴著她的是手提的五公斤的箱子。裡面的翻拍臺是十四天閉關創作的夥伴。Last September, Jess Lau arrived in Taipei with her 5kg tool-box, her only companion in a 14-day quarantine retreat. Together, they completed a new stop-motion animation piece.
乾女兒的女兒 Goddaughter's daughter
新生代的來臨該衷心祝福吧。此時此刻，送上最好的願望。The arrival of a new life itself deserves whole-hearted celebrations...
《垃圾之書》讀後雜感 Reading birdwatcher Łubieński's account of waste catastrophe
Another anthropocene scenario, a critical reflection of our environmental consciousness through an ornithologist's observation. What can we do, FP contributor Vanessa Tsai asks. 蔡季妙看著生活環境的惡化和資源分配的傾斜，慨嘆個體的無能為力，亦為環保意識中的一些矯枉過正作出反思，她問：你想做甚麼？你願意犧牲甚麼？你能做甚麼？
Vanessa Tsai /「他還年輕」之後，我感念的一切 After “He’s Still Young” … thoughts abound recalling a former teacher
A teacher who passed on more than knowledge, but inspirations. FP writer Vanessa Tsai, a teacher herself, has been inspired by Wu Sheng. 傳授知識是老師的職責，單單傳授知識的老師，也算是一個老師。「據點。句點」寫作人蔡季妙國中時遇過一個不僅單單傳授知識的老師，老師老了，相處回憶串串，縷縷如煙，卻常存心中。不求聞達不望回報，春風化雨，無聲無息潤澤大地，這是一個好老師成就另一個好老師的故事。
《旅館》讀書會後之喃喃自語 Murmurs after group-reading HOTEL LIFE
Emerging from a group-reading session of Levander and Guerl’s Hotel Life , F-Teatime contributor Vanessa Tsai reflects on herself as a lone sojourner. Anything can happen…? 。「據點。句點」寫作人蔡季妙借「旅館」讀書會探討人與旅館的關係，亦訴說天涯孤客的心情：浪跡異地，各有懷抱，前路茫不可知，誰也像浮萍，誰也需要一個安心所。（
