
Dory Cheng and John Chow updated their upcoming events at Documenta 15, as FP representatives, and as active agents of a new collective of collectives.
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In a series of 3 articles, Linda Lai shares her field notes in film studies from a Cultural Studies perspective. The first discusses the kid A-Chang (1950), a HK counter-part of Shanghai’s Three Hairs 1940s. 有關香港「細路祥」三篇連載的第一篇,黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
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Kai Shan in Wan Chau Village. Love in the time of resistance. A fictional story by Michael Leung. 元朗橫洲村髻山。愛在動盪不安的季節。梁志剛短篇小說。***Content warning 成年內容。
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The world is waiting to be animated.
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Visual abstraction opens up more worlds: Reality appears to shimmer through the layers of its decomposition…
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[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。
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【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。
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10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了,但陪她走過的加州陽光,還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後,便開始從事獨立電影製作。期後,他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間,他與中國獨立紀錄片研究會的合作,讓他得到更多製作獨立紀錄片的機會。近期,他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》,並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]
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7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of “Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
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In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。
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