個人沈溺可以是有趣的,只要分享,找你的「專家」同路人。咖啡,只是個起頭、代號…。又或你有呷一杯茶的瞬間可以吞吐的一個臨時想法。Everything about coffee... … Coffee plants. Coffee beans. Coffee plantation. Roasted beans. Fair trade. Genesis of coffee drinking. Coffee pots. Coffee cups. Coffee makers. Hand-crafted coffee. Coffee-drinking culture. Coffee and health. Coffee as medicine. Coffee as leisure. Discourse ownership of coffee culture. History of cafes. Politics of world produces. First generation coffee culture. Second generation coffee culture. Third generation coffee culture. Fourth generation coffee culture. Connoisseur perspective. Political history of coffee culture. Coffee academy. Barista. Cafes. Coffee furniture. Coffee-table books. … We are joking!!! Replace “coffee” with any noun — personal obsessions of yours. A tentative thought that may fuel up the slow sip of a cuppa.

Perhaps too good to be true? indeed mainstream movies, though produced with a commercial incentive, are often the makers' personal projections of an ideal world even if it is impossible in real life. Some regard fictionalization to be an illustionistic escape, but fictionalization is a humanistic form of agency. UFO filmmaker Lee Chi-ngai's aspiration is uncompromising: we could all be magicians, to ourselves and to one another, and, we must be. 常道虚構和想象是逃避現實的幻覺主義的表現,與落實建設社會背道而馳。換個角度,虚構是能動的體現,創作者投射的自由,開啔着一扇門,讓我們窺見别的可能性。電影人李志毅的個人投射清晰而肯定:我們都可以是人生的魔術師,是自己的,也是彼此的,而且必須如此。

Second of film-buff Wai-leung Lai's notes – this time, a rehearsal of many memorable film adaptation of anime or comic series, especially Japanese comic series and popular novels as a unique source of dramatic imagination. 「很想看多回」系列的第二回,經年浸淫的影迷黎偉亮繼續他一個人看電影的紮記,天南地北,把漫畫、動漫、真人電影、日本、香港、美国、中國拉上㸃線的結連。

我們强調發表、分享。體會、觸動、聨想、推理,是所有(有想法的)人的權利。這個系列,以港產片為主,牵連着的,天南地北,多國風景。從一個人看電影到我們都看電影… …。這個系列,是據㸃作者黎偉亮的看電影扎記分享的平台。FP writer Wai-leung Lai will share his movie-viewing experiences in a growing series, making connections between film-viewing and living in contemporary society.

Narrated battles are understood as causes and consequences. What would miniatures do? Highlighting history as vignettes and isolated scenarioas, they invite us to contemplate the gaps in between. 戰爭化為敘事往往強調了因果關係,手造的微型模型則更像小插畫,其真實性存活於小節和細工裡。
Too Long Ago, Not Far, Winnie Yan's FPC open door solo (2023.09.16-10.08), turns the play with sight-and-sound fragments into a subjective-materialist time and space asserting a decentred subject. 《在不太遙遠的很久以前》 (據點打開門個人發表 202
Linda Lai answered a question that MFA students at the School of Creative Media posed to her... 創意媒體學院的藝術碩士生向老師提問。黎肖嫻回答... ...。

11 new zines created in 2023 plus more by Floating Project members and friends initiated a new phase of growing existing resources into more points of sharing. 據點對小誌文化的集體實驗,從手做書、詩話、散文,到嚴肅生活和創作議題的結集,於大館書展4月28-30日與大眾見面。

Emerging from a group-reading session of Levander and Guerl’s Hotel Life , F-Teatime contributor Vanessa Tsai reflects on herself as a lone sojourner. Anything can happen…? 。「據點。句點」寫作人蔡季妙借「旅館」讀書會探討人與旅館的關係,亦訴說天涯孤客的心情:浪跡異地,各有懷抱,前路茫不可知,誰也像浮萍,誰也需要一個安心所。(

In an unplanned hanging out in summer, Taiwan-based FP writer Vanessa Tsai found her direct encounter with the “Brown Land Crabs” (aka Chestnut crabs, or red-claw crabs) invoking interspecies thinking: must we sustain human survival at the cost of natural survival? 據點駐台作者蔡季妙趁暑假鬆一口氣,隨心的到台南曾文溪口一遊,正值「凶狠圓軸蟹」產卵時節,觸發了「種間思維」對人和自然共生的必要性。

knowledge market, workshops, cooking… daily life at Documenta’s collective school. 16-20 July 2022…