亮光?靈感?心有靈犀?都是神話。動手,下筆。書寫是以行動去發現。視覺、聽覺、觸覺、心、智、字、詞,渾然為一。與隱若的玩玩捉迷藏。Inspiration or intuition may work together. Most importantly, drop words on a surface. Discover, listen, be shocked and surprised... Writing invents and pushes boundaries as the act sustains...

新生代的來臨該衷心祝福吧。此時此刻,送上最好的願望。The arrival of a new life itself deserves whole-hearted celebrations...

Several members of the Floating Projects Collective (FPC) will be in dialog with California-based Artist-writer Zach McLane. To Zach’s pieces in his One Hundred Waitings project, FPC folks will respond with photography, graphics, or sight-and-sound. This is an introduction to the general sentiments of this exchange. What is waiting? What is writing? **feature image: site […]
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Michael Leung continues to introduce the variations of his zine-making — fiction as .an audio book. 梁志剛繼續展示他的小誌創作的不同媒體變奏 — 這回是一個原以有聲讀物現身的短編故事。
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One Take, many iterations (2000-2020) One Take A digital video by Linda Lai Image & voice performance: Linda Lai Automatic writings generated by One Take – Polyphony 一天,突然好想逃離這個世界。 眼前的澳門文化中心斜流,六月晚晝和暖的陽光,水流淌散於橫紋石屎的肌理上再人工不過 。手不覺間在搖而沒有終止的意願,六分鐘的數碼錄像,在隨意不拘的弧線運轉之中以單鏡頭變化出蒙太奇和剪接的幻象。我盪得心也開了,破口處滲溢的,彷彿都是綿綿歲月的茵陳細碎瑣事。在快慢門和色溫光圈的不加思索變易下,涓流滑動的水精靈誘我領我尋索那已失散多年的音韻。大調元音、五度在捉迷藏。 我發聲,所以我存在。 有聲無韻。 至於我失去的是甚麼聲甚麼韻,我還在尋找。 One Take (originally in three parts) seeks to experiment the relation between image and sound by juxtaposing different soundscapes against the same set of […]
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Like Calvino’s The Invisible Cities, Oulipo founder Raymond Queneau’s Exercices de style (Exercises in Style) is another example of generative literature transmediated as pictograms. Artist Madeleine Chan takes up 5 episodes of the work. After a generative principle, she produces 5 iterative views of the same event as pictograms, stretching Queneau’s textual play in written words.
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夢。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Dreaming,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
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一分一秒。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Prison,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
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Zach McLane “returns” to FP with a new video work and expanded notes after his last and first visit to Hong Kong in September 2018. In renewed confidence of his own language, in words or images, Zach turned a strip of trashed 35mm film found in a backyard creek into the preserved evidence of an unknown yet concrete history. A documentary impulse of his pushed physical marks, scratches and patterning into the materialization of an absence now surfacing as perceivable forms and motions.
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FP writer Wai-leung Lai turned his sentiments for the thick urban space of Hong Kong into fictional encounters in a serial format. Part 2 of a crime story, apparently, is a twist into self-awakening. 寫實、描述、虛擬。是接觸世界的滾軸過程。誰知道敘事發展下去會觸及那些點?黎偉亮的一件「案件」其實是… …
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