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[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」

[solo-show postscript01] Unfolding Micro Narratives 翻開「微敘事」

Linda Lai pins down a brief on her nomenclature of "micro narraqtive" as an open, performative, umbrella concept to develop her theories of sight-and-sound in relation to historiographic experiments.

Longman Luk / Tool-Being (4):  Capturing and Presenting Panoramic Images with a consumer-level 360 camera 「工具在,我在」(四):周視全景的感官世界:篩選與縫合
Tate Kwan / Tool-Being (3): Play with ZOOM "errors" -- Video Materiality, Digital Intimacy 「工具在,我在」(三):遠程關係潛入 ZOOM 的回饋噪聲

Tate Kwan / Tool-Being (3): Play with ZOOM "errors" -- Video Materiality, Digital Intimacy 「工具在,我在」(三):遠程關係潛入 ZOOM 的回饋噪聲

In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.

Abby Yuen / Tool-Being (2): Texture? Abstraction? It all began with my semi-analogue synthesiser  「工具在,我在」(二):抽象、質感,由造聲開始

Abby Yuen / Tool-Being (2): Texture? Abstraction? It all began with my semi-analogue synthesiser 「工具在,我在」(二):抽象、質感,由造聲開始

Second of the “tool-being'” series. What new insights would we have of our experiences if humans and tools/machines are understood as an assemblage, coming into the presence of each other to seek collaborative possibilities? Abby Yuen reveals how her abstract video of foams was the result of a sound machine she made.

Jaron Kuehmstedt / Tool-Being (1): OCTV – Open Circuit Television, interpolating CCTV 「工具在,我在」(一):「開」路電視打開了甚麼?
24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.

Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在,我在。聚疊。2022微敘事選輯。抒演性錄像書寫
FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
Linda Lai / La Casa 3: The Apartments: moving, day-dreaming 房子一二三之三:搬家、夢遊(1996-2021)

Linda Lai / La Casa 3: The Apartments: moving, day-dreaming 房子一二三之三:搬家、夢遊(1996-2021)

La Casa 3: The Apartments records a series of apartments, from Manhattan to different parts of Hong Kong, where the artist and her partner took abode. A 18-minute exercise of the mind’s power to remember, from the most material to the unspeakable… 如何說自己的居所?只想為生活的內部節奏留些可歌可譜的痕跡,核心是白日的失神、晚間的夢魘、錯置、不明所以,走一步就是一步。作品,就在表達與木訥之間進行了一次18分鐘裹藏著的念力。

Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

19 June 2021 六月十九日. Three video essays on living through time with one’s bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai’s past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼?我是誰?我的根是甚麼?用身體的實存與行動。魏芷軍演述;潘子懷在都市神話中設置自己;Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。

Floating Projects Collective 2025