Searching for tag: generative-art
One Take, many folds, a voice performing time 一鏡到底，萬千折叠，聲沉翻浪起
One Take, many iterations (2000-2020) One Take A digital video by Linda Lai Image & voice performance: Linda Lai Automatic writings generated by One Take – Polyphony 一天，突然好想逃離這個世界。 眼前的澳門文化中心斜流，六月晚晝和暖的陽光，水流淌散於橫紋石屎的肌理上再人工不過 。手不覺間在搖而沒有終止的意願，六分鐘的數碼錄像，在隨意不拘的弧線運轉之中以單鏡頭變化出蒙太奇和剪接的幻象。我盪得心也開了，破口處滲溢的，彷彿都是綿綿歲月的茵陳細碎瑣事。在快慢門和色溫光圈的不加思索變易下，涓流滑動的水精靈誘我領我尋索那已失散多年的音韻。大調元音、五度在捉迷藏。 我發聲，所以我存在。 有聲無韻。 至於我失去的是甚麼聲甚麼韻，我還在尋找。 One Take (originally in three parts) seeks to experiment the relation between image and sound by juxtaposing different soundscapes against the same set of […]
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The Ventriloquists 14. Rybczynski: stretched vocabulary of narrativity, augmented attention to the material world 更多的圖形敘事解構，伸展了的敘事語彙，張開物理世界的奧秘。
More pictograms representing two experimental films by Zbigniew Rybczynski, New Book (1975) and Tango (1981), by 3 artists at the show Ventriloquists…Thinking Narratively (4-19 July 2020). A stretched vocabulary of narrativity. Multi-linearity, simultaneity, superimposition, convergence of trajectories, generative loops. 更多的圖形敘事解構，伸展了的敘事語彙。多向多線發展。共時性。重疊。弧度的結點、匯合。衍生式的循環。張開現實的奧秘。
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WONG Chun-hoi / 勤力電路 #1.0 – #1.4 Hardworking electricity #1.0-#1.4
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
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Linda Lai / From Melodrama to Near Drama 從粵語通俗劇到微情緒的潮漲潮落
黎肖嫻談粵語電影通俗劇的操作，以至吳子昆於「文字機器創作集」第6輯「象裡有象：通電作影」之《全情定位漂浮系統》（2018年9月1日開幕）的媒體分解遊戲 | notes by Linda Lai on melodrama’s nature and Kwan’s treatment in [G]Local Empathy System (opening 1 September 2018, curated by Lai), the first of a 3-exhibition series, “Cinema Expanding: Visualizing the Unseen,” the Writing Machine Collective 6th edition.
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Hugo Yeung / “But art is ambiguous.”
Hugo Yeung accounts for what his first solo show, What Death Tells Me, tells him about cinema. Shuttling between sound, image and story, the drifting open-ended journey amounts to a narrative mode and experience afforded only by digital data and computational cinema.
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