Searching for tag: improvization
WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊（一）：不假思索。多走一步。總有點甚麼。
Assemblage at Floating Projects (FP Assemblage) started with two personal stories. Initiation of the Assemblage events are documented here in writing, on 14 July 2015, on the eve of FP1.0’s Grand Opening… (this version: updated May 2022 for D-Normal/V-Essay issue 5)
聚疊的各種天氣 The weathers of the assemblage-assemblies
It takes many brains and strong desires to subvert a bulk of junk — Fuk-kuen Wong looking back at the Assemblage events in May and June 2022. 要顛覆一堆垃圾，確實需要大量腦汁＋動手的慾望。黃福權回望兩個月來的石硤尾「聚疊」重探。
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Assemblage as Assembly「石硤尾聚疊」2022：聚集、共融
熱身後的「聚疊」有了新的呼吸，5月20日晚上現場。梁志剛角度。 FPC member Michael Leung breathes with his first trial of SKM Assemblage on 20 May … Disparate geographic locations connect through loose thoughts… Assemblage growing …
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2022 Assemblage growing 「石硤尾聚疊」2022 蔓延
據點句點新成員鄭嘉雯參加了2022年5月6日星期五晚的 Assemblage 熱身，自行發現「聚疊」的內藴。即興是怎樣的一回事？ What does improvization look like? FPC new member Dory Cheng provided her account as a fresh performer-participant at the 6th May Assemblage.
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2022 Assemblage: warming up 「石硤尾聚疊」2022 熱身
究竟是什麼原因，一段津津樂道的歷史，一個大家認為具代表性的活動，最後變成了文化遺產？ What does improvization look like? Here’s an account of what happened on site at Floating Projects in the evening of 6th of May, by FPC member WONG Fuk-kuen…
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One Take, many folds, a voice performing time 一鏡到底，萬千折叠，聲沉翻浪起
One Take, many iterations (2000-2020) One Take A digital video by Linda Lai Image & voice performance: Linda Lai Automatic writings generated by One Take – Polyphony 一天，突然好想逃離這個世界。 眼前的澳門文化中心斜流，六月晚晝和暖的陽光，水流淌散於橫紋石屎的肌理上再人工不過 。手不覺間在搖而沒有終止的意願，六分鐘的數碼錄像，在隨意不拘的弧線運轉之中以單鏡頭變化出蒙太奇和剪接的幻象。我盪得心也開了，破口處滲溢的，彷彿都是綿綿歲月的茵陳細碎瑣事。在快慢門和色溫光圈的不加思索變易下，涓流滑動的水精靈誘我領我尋索那已失散多年的音韻。大調元音、五度在捉迷藏。 我發聲，所以我存在。 有聲無韻。 至於我失去的是甚麼聲甚麼韻，我還在尋找。 One Take (originally in three parts) seeks to experiment the relation between image and sound by juxtaposing different soundscapes against the same set of […]
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Linda Lai / Montage is performance… 潛行：一次分秒秩進的蒙太奇
A videographer (Linda Lai) and a artist working on drawings (Jansen Law) in dialogue… The language of montage is invoked, contemplating time… The piece was Linda Lai’s spontaneous response to a few draft drawings Jamsen Law sent her, all from Law’s solo show, “No Details, Not Whole,” at Lumenvisum in September 2016.
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Linda Lai / Temporal Being. Writing as performance. Unfolding and refolding the singular.
The inter-play of present and past tense is deliberate in contemplating the nature of memory — the fixing of attention onto nit-bits of the chaotic ocean of the past. I am also influenced by moving image creation — every work being the negotiation between the present continuous of the camera at work and the “already-past” of its articulation. 現在進行式與過去式時態的交替共用是「不假思索」法」而來的必然對策，也是現象學的意識論的創作性延伸，在猶如汪洋大海混沌波濤翻滾的「過去」投擲零星的關注點，構成接點的「回憶」，以至構成可被陳述的「經驗」。
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六顆子彈 6 Bullets, an exchange
FPC dialogues… Jess Lau wrote a poem and shared it with Linda Lai, who wrote a poem in response. The exchange develops into that of images. 劉清華隨心寫了一首詩，分享了給黎肖嫻。黎回了另一首詩。後來這個對話由文字推至圖像。
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Linda Lai / remembering a free flâneuse, Joey Luk, a poem 讀了好些有關你的，懷緬的詩，給漫遊者。
Permanent youthfulness — a thought of no comfort at all! No certainty about the words I have, but those moments spent with Joey, a lasting imprint. Combining Joey’s writings she had shared in class with faint, ineffectual words I could barely utter, I post this buried poem today as a ritualist container for infinite nothingness. 這首詩是由我的文字和陸姵妏生前在我的文字創作工作坊裏分享過的作業的片段混合而成的。在黃花綠影之間虛實無分，是一個人？兩個人？多少種心情？精神思想記憶都漫飛無涯，涓湧成氣。除此，我對她的思念無以啟齒。十七年過去了，比我先行的學生還有幾個。…我總是為過去了的人寫詩。懷緬詩注定就是跟死亡手牽手的。奈何。
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