
An unpublished text by Linda Lai as an observer’s soliloquy on a 12-part interactive sight-and-sound sequence she created with Theresa Junko Mikuriya at the HK Art Biennial 2003.11-2004.01. Lai’s attempt to make sense of their automatic creation… Not an annotation, but an extension in the form of automatic writing describing what she sees on screen, an assertion of narrativity. 一篇於2003-04年香港藝術雙年展隨作品出現過卻重來沒有發表的文字,與組織緊扣卻多處留白的聲畫流隔岸對話。不假思索,想像眼前碎斷的畫面背後的世界。是延伸創作,推開無限可能的下一個小步。
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Push: Scary Stories is a story about story-telling in Linda Lai’s childhood, her land of fear and fascination co-created with her Grandma before bedtime. 「推」,推開了神秘的門,領進魔幻之地。《推:怕怕故事》推開了作者童年時候床頭說書的外婆伴著編織的幻想世界。這門,不過是眾多要推開的門的一道。
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Push! And a door will open. Push is a special charm to Linda Lai, a magic word she has used for several of her artworks, “PUSH Push – automatism” shares glimpses of her mind-scape, an enigmatic zone with strides of montage and poetry.「推」,推開了神秘的門,領進魔幻之地。《推。推。不假思索》推開了作者某幾個時刻的紛繁思潮世界。斷、折,又絲連。是詩與蒙太奇的步履。
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「據點。句點」 成立了快半年,玩了三次聚疊遊戲,以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場,或用你的方法去存在於此 1。只能用你在時限內得到的材料,可以是撿拾的,可以是自己帶來的,總之不要浪費金錢 2。接受同場發生的任何事,並善用它,改變它,也必需接受展出期間的任何後期聚疊(即別人後加的改變或再創作)
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/ Linda Lai I have been spending quite a bit of time digging up hidden waste to turn them into treasures for the Floating Projects — from my home, from my office, from my work studio… Happy to see the circulation of furniture and books and re-purposing of things accumulated through time. Last week, I […]
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