Category: FieldNotes 考察中
研究生的考察範圍、指向，是世界的未來的形骸，新知識的風向計，對現今時代的把脈。起家立說之前，往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說，碎片，靈光一閃，大小故事，所見所聞，理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1) 挖掘「資料化世界」：透過藝術超越反烏托邦與烏托邦的二元對立視角-1
from suspected loss of humanness to the moderation of knowledge asymmetry in the AI milieu: have we always existed as data? Linda Lai understands Gyung-jin Shin's solo show "Unmined..." as a proactive engagement with the materiality of data containers.
On sharing shape-shifting AI real world narratives in a trade-show environment / Linda Lai
Revisiting a data-driven real world narrative by an RCA group of artist-researchers at SIGGRAPH ASIA 2025, I return to a long raised question in my reearch: how do we do justice to data-driven works of dense proceduralim to augment literacy value in a digital art show?
FP Assemblage 2023 (2) Self-organization, Individuation, Synchronization... an Automatic Sequence 同步、個別化、自我組織。不假思索的序列。「據點聚疊」於亞洲藝術文庫。
The second of FP's 2-day intervention-insertion-installation-production performance at Asia Art Archive's new reading room concludes with a show window filled with “live” traces of FP players, friends and on-site visitors. … Another attempt to capture the rich diversities of the happenings, the author's attempt to preserve her own personal glimpses at least.
Cher / Action in Love: the making of “How I met your mother” 李祉昕《浪漫史》，為了學習感悟。據點打開門。
While deeply aware of the underlying tensions in all love relationship, fresh graduate Cher believes it’s very worthwhile to preserve and present the blissful moments of a couple, even if just for a moment. Thus started her months-long action research — photography as an event — to act out as a sonder person. 對周遭的人的感悟有多少？李祉昕以行動出發，攝影是牽動關係的探索行動，為了展出，更是為了接觸別人和自學。
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FP at Documenta 15, a journal series (4): “MAKE FRIENDS NOT ART!” 做藝術就是做朋友。
“MAKE FRIENDS NOT ART” – Batch 5 members are making prints in Gudskul area at Fridericianum Museum to raise funds for 2 members’ return travel.
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FP at Documenta 15, a journal series (3): connecting, boat-building… 天天實作天天學習
knowledge market, workshops, cooking… daily life at Documenta’s collective school. 16-20 July 2022…
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FP at Documenta 15, a journal series (2): immersing… 鑽進另一種日常生活
First two weeks at Documenta 15’s Gudspace… John Chow shares his initial experience of co-living. The FP at Documenta journal series continues…
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Michael Leung / Hardened and Standing Together 日子變艱難，越站在一起
隨著一個月的《相遇於小誌小文學》，橫洲的居民和居所渡過了最終的清拆，土地正式地劃歸地產商的發展。展覽上有餘音，梁志剛將在「據點。句點」延續駐場直至4月14日。As “Publishing (To Find Each Other)” carried on in the month of March, Wang Chau village in Yuen Long was through its final phase of total demolition to make way for real estate developers. Many unfinished texts (writings and videos) to cover… Michael Leung’s residency at Floating Projects will take two more weeks to round up until 14 April 2021.
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Michael Leung / “Where We Meet” on-site video 3 of 4 我們相遇之處 (駐場錄像四之三）
街坊排檔 Kai Fong Pai Dong, a neighbourhood street market stall in Yau Ma Tei, emerged around November 2019 during the 17th Hong Kong Social Movement Film Festival. It was a place where once a helicopter hovered over a post-film discussion, members of the community told stories to each other, mutual help enacted via public-space farming… It is an assemblage of site-specific emancipatory politics.
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Michael Leung / “Solidarity with Aarey” on site (video 2 of 4) 印度阿雷的盟友團結（駐場錄像四之二）
Aarey Forest is a rich urban forest which is within the eco sensitive zone of Sanjay Gandhi National Park (SGNP). It is classified as mixed moist deciduous type forest. Leung’s video was shot in May 2018, at the time local people were experiencing deforestation by a new metro line and metro carriage depot.
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