Searching for tag: mixed-media-installation
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 2)
A genealogy of data as sculpture: archaeological precedents in ancient civilization and artistic carrier of data in contemporary society... Gyung-jin Shin's attempt for sculptural carriers of data in her solo show, October 2025.
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1)
from suspected loss of humanness to the moderation of knowledge asymmetry in the AI milieu: have we always existed as data? Linda Lai understands Gyung-jin Shin's solo show "Unmined..." as a proactive engagement with the materiality of data containers.
The Past or the Present: on the Exhibition “Mending Years” 昨天還是今天 - 《縫補歲月》展覽
[Mending Years 縫補歲月] Curator Ying-chi Tang sees the present in the 5 stories of the past that harp back onto the 1960s-1970s, arguing that the public and domestic are integrally one, as the artists in the group show present. 策展人鄧凝姿眼中的「縫補歲月」不單是上世紀的六七十年代，也是構成今天的一部份；透過五位創作者的視野，她看見公共領域和家居細活之間的千絲萬縷。
A poem on the event “Ferocity and Wonderment” 一首關於《殘酷與美好》的詩
Ferocity & Wonderment, on 2022.01.02-02.05, is coming to its final week of open door. Ma Wik (Joyce), one of the duo, shares a poem she wrote in the process of reconfiguring Floating Projects’ rectangular playground and “growing” the objects in it. … 馬域和汪倩的雙個《殘酷與美好》已來到最後一周。馬域一週接一週的耕耘著據點現場長方形的遊戲空間，設置改動又設置其中的小物，有感而發，寫了一首散文詩。
