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Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 2) 挖掘「資料化世界」：透過藝術超越反烏托邦與烏托邦的二元對立視角-2
A genealogy of data as sculpture: archaeological precedents in ancient civilization and artistic carrier of data in contemporary society... Gyung-jin Shin's attempt for sculptural carriers of data in her solo show, October 2025.
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1) 挖掘「資料化世界」：透過藝術超越反烏托邦與烏托邦的二元對立視角-1
from suspected loss of humanness to the moderation of knowledge asymmetry in the AI milieu: have we always existed as data? Linda Lai understands Gyung-jin Shin's solo show "Unmined..." as a proactive engagement with the materiality of data containers.
On sharing shape-shifting AI real world narratives in a trade-show environment / Linda Lai
Revisiting a data-driven real world narrative by an RCA group of artist-researchers at SIGGRAPH ASIA 2025, I return to a long raised question in my reearch: how do we do justice to data-driven works of dense proceduralim to augment literacy value in a digital art show?
Floating Projects Collective 2026