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Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 2) 挖掘「資料化世界」:透過藝術超越反烏托邦與烏托邦的二元對立視角-2
Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1) 挖掘「資料化世界」:透過藝術超越反烏托邦與烏托邦的二元對立視角-1

Mining the “Datafied World”: beyond the social dystopic-utopic split view through art (part 1) 挖掘「資料化世界」:透過藝術超越反烏托邦與烏托邦的二元對立視角-1

from suspected loss of humanness to the moderation of knowledge asymmetry in the AI milieu: have we always existed as data? Linda Lai understands Gyung-jin Shin's solo show "Unmined..." as a proactive engagement with the materiality of data containers.

On sharing shape-shifting AI real world narratives in a trade-show environment / Linda Lai

On sharing shape-shifting AI real world narratives in a trade-show environment / Linda Lai

Revisiting a data-driven real world narrative by an RCA group of artist-researchers at SIGGRAPH ASIA 2025, I return to a long raised question in my reearch: how do we do justice to data-driven works of dense proceduralim to augment literacy value in a digital art show?

Floating Projects Collective 2026