Searching for tag: fp-cinema-papers
How to narrate and reenact the bodies of migrant workers? 如何敘述與重演移工的身體？ / Emilie Choi
If documentaries are not just for viewing and getting new information, what else can it be? The two keywords "participatory" and "bodily engagement" speak of documentaries as the result of caring for our environment enough to strategies actions to research out. Reenactment is to become them (the migrant workers) in order to be able to narrate their experience.
The Kid, Bruce Lee: immediate post-WII HK society & local cinema’s pedagogic burden 《細路祥，街童李小龍：戰後香港社會和港產影話戲的道德包袱》/ Linda Lai
The pedagogic burden of cinema on/about/on behalf of children has been a perennial concern, especially in contingent moments when control and discipline become critical 有關香港「細路祥」三篇連載。2020-2021期間，黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
Celluloid Hegemony: Episodes of Political Organization and Post-War Taiwan Cinema 1-4 《膠卷霸權：政治組織與戰後台灣電影的風景 1-4》/ Hector Rodriguez
This monograph explores Taiwan in the 1960s when cinema was a site of cultural expression as much as a contested apparatus for the manufacture of political mythologies highlighting a new home and modern society.
Ghosts: Atmospheres of Mystification, Henry James in focus 《亨利詹姆士的鬼（叙事）：神秘作為一種氛圍》/ Hector Rodriguez
Focusing on two seminal ghost stories by Henry James, Sir Edmund Orme and The Turn of the Screw, this monograph explores some aspects of horror fiction. It is the first of an ongoing series of analyses focusing on the nature of horror in art.
The Liminal Space of Godfrey Reggio's Qatsi Trilogy: the Unseen be Seen, and...?
Originally an invited contribution by HKIFF, the piece is Linda Lai's renewed understanding of Godfrey Reggio's "The Qatsi Trilogy." What is experimental about it? Can cinema stand alone as critique of a prevalent human condition? 受2024 香港國際電影節約稿，黎肖嫻重讀三十幾年前開始接觸的烈治奧的文明末世的沉思 --「生活三部曲」。時代變了，今天看這三部曲，為何？
