Searching for tag: fp-monographs
The Kid, Bruce Lee: immediate post-WII HK society & local cinema’s pedagogic burden 《細路祥，街童李小龍：戰後香港社會和港產影話戲的道德包袱》
The pedagogic burden of cinema on/about/on behalf of children has been a perennial concern, especially in contingent moments when control and discipline become critical 有關香港「細路祥」三篇連載。2020-2021期間，黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
Celluloid Hegemony: Episodes of Political Organization and Post-War Taiwan Cinema 1-4 《膠卷霸權：政治組織與戰後台灣電影的風景 1-4》
This monograph explores Taiwan in the 1960s when cinema was a site of cultural expression as much as a contested apparatus for the manufacture of political mythologies highlighting a new home and modern society.
Ghosts: Atmospheres of Mystification, Henry James in focus 《亨利詹姆士的鬼（叙事）：神秘作為一種氛圍》
Focusing on two seminal ghost stories by Henry James, Sir Edmund Orme and The Turn of the Screw, this monograph explores some aspects of horror fiction. It is the first of an ongoing series of analyses focusing on the nature of horror in art.
Art as Articulation: Media, Meaning & Technology 藝術的發聲和接合：媒體、意義、科技之間
Art liberates us from technology by liberating technology from whatever we already think it is. 藝術將科技從我們已經認為的東西中解放出來，從而將我們從技術中解放出來。Published as FP-monographs
