Category: FieldNotes 考察中
研究生的考察範圍、指向，是世界的未來的形骸，新知識的風向計，對現今時代的把脈。起家立說之前，往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說，碎片，靈光一閃，大小故事，所見所聞，理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…
SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (1) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變（一）
Define an artist. This is no easy question. It could be more productive to change the question to “Who is an artist?” or “Who has proven him-herself to be an artist?” PhD candidate researcher Shin Gyung-jin adopts a discourse analysis approach to trace the different meanings and usage of “the artist” at specific moments of history. How is the idea of an artist produced? Regimes of knowledge are questions of power control. Her archaeology focuses on Korea, on and off in relation to Chinese art history. 博士候選人研究員辛庚珍受福柯的考古思維啟發，重回多個世紀的「現場」去重新凝視不同時代建構「藝術家」的論述和權力效應。藝術家的定義的問題，變為「誰身體力行符合了特定時空的標準藝術家？」又或…。全文分四次發表。
Michael Leung / ON LAND 07: Pandemic-Thinking 「在地」七：大流行的思維
What is “inter-disciplinary thinking”? Michael Leung crosses the threshold: what about econolandscapes and cultural virology (Rob Wallace), plant thinking (Michael Marder), multispecies perspectives (Anna Tsing) and so on, to culminate in what is called “pandemic-thinking”?…「跨界思考」不算新鮮，卻遠遠未達日常生活的廣泛應用。梁志剛超前一步，引述近年回應「人類紀」危機而出現的學者的論述，如植物思維、多／跨物種思維、經濟景觀、文化的流行擴散…等，構成大流行的思維。
Vennes Cheng / THINK-PAD series 03: Image constellation and the survival (Nachleben) of image「書寫作為思考」筆記系列三：圖像群與影像的續存
Contemplating the “Nachleben” (afterlife, survival) of images in Aby Warburg’s Mnemosyne Atlas, Vennes Cheng traces the intellectual sources of the anachronistic and biomorphic forces behind his phantasmagoric retrieval, a unique way to create art history as constellations of found objects, impulses, emotions, phenomena and complex temporality.作為藝術史的實驗，阿比沃堡最後遺作《記憶地圖》所用的「圖像（星）群」方法，牽涉到圖像的生存與復生。鄭秀慧透過德文 Nachleben 的不同翻譯，進一步理解這可形容為「幻象檢索」的導向如何擱置了年表、分期等結構，轉向視覺上的相似性、記憶的衝動、要體現的情感等的並置，衍生出實驗性的藝術歷史。
LIM Yeon Kyoung / Independent publishing in Korea 2: the phenomenon of agential intra-action & care for the disenfranchised 獨立出版運動：行使權的內部運行，關懷被剝奪權力者
Yeon Kyoung Lim cautions against romanticizing the independent publishing movement afforded by digitalized work flow and free social-media transmission. Keying in on the labor situation, she has experienced the collapse of work and leisure, which results in free, exploited labor in intensive micro processes of work premised on a group’s affective solidarity. Are “techniques of care” a feasible solution to the pauperization of activism? 身在「江湖」的林妍卿著我們別把數碼化工序和社交媒體平台推動的「獨立出版」浪漫化。進步的另一面的現實，是「情感化勞動」以及長時間免費的「微」工序的投入，慢慢導致維權運動的「貧化」。如果人際關係如此重要，怎樣的「關懷技術」才發揮活化的作用？
Michael Leung / ON LAND 06: Third Time Lucky? 「在地」六：再三的幸運？
The bat. Confinement. A female goat. Graffiti “The future is female!” Electronic tagging. On-line conferences. Animal testing or not. The Joker… All connected — to our future. Michael Leung’s intergalactic thinking connects. 蝙蝠。限聚與禁閉。母羊。牆上塗鴉喊著：「未來是女的！」電子標簽。網上會議。應否用動物進行藥物測試？小丑。… 在梁志剛的系際思維裡，都可結連成為一體，預見未來。
LIM Yeon-kyoung / Independent Publishing in South Korea in the 2010s (1): The Cultural Movement Reinventing Feminist and Queer Intimacies 南韓的獨立出版運動（2010以來）：重整戰友的親密
What is independent publishing’s contribution to the Feminist/LGBTQ movement in South Korea? Lim Yeon-kyoung uses new materialist and post-consumerist frameworks to examine her own field experiences. 博士研究者Lim Yeon-kyoung 在後消費主義的藍圖裡重新理解「獨立出版」的政治性、創作上的實驗性，以至對南韓本土的女性主義、同志及酷兒運動的推進所作出的貢獻。獨立出版似乎注定被拒於嚴肅的學術出版的門外，林卻用新唯物主義和演述理論的高度去討論獨立出版的追求，並以個人「實戰」去說明。
Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五：冬菇頭。簡樸生活。
An ordinary day with a haircut in Lyon put Michael into a confessional mode of reflexive reconnection with his double citizenship … To what kind of privileged access does it entitle him? And what doors has opened to him? 梁志剛的雙重國籍或公民權對他的漂流歷程有何在地的挑戰？又打開了一些甚麼的門？
Emilie Choi / Realities from 2016: Today’s Relevance (2): what should an artists’ Union do? 2016年飄來的記憶。今天又如何？（二）- 藝術勞動，工會保障藝術家？
FP writer, Emilie Choi’s analysis continues on the question of art labor in Hong Kong. In part 2 of her report, she asks, “what should an artists’ union do?” 據點成員蔡倩怡進一步思考藝術勞動的光景四年來沒有甚麼變動，且客觀環境越來越嚴峻。她問：「工會該如何保障藝術家？」
Emilie Choi / Realities from 2016: Today’s Relevance (1): Art Labour, the Value of Being Human 2016年飄來的記憶。今天又如何？（一）- 藝術勞動，生而為人的價值
FP writer, Emilie Choi, former journalist for Ming Pao Weekly’s cultural page, recalls an investigative feature she did four years ago on the question of art labor in Hong Kong, and is dismayed that not much has advanced other than the many growing aggravations in the city. With a new introduction, she puts back in the spotlight realities we may have forgotten. 《「錄像宣言」的延伸閱讀：藝術勞工的景況：做個夜更的藝術家？》在「據點一杯茶」網上發表後，據點成員蔡倩怡不禁記起四年前她還是記者時所做過的專題訪問，驀然發覺時間過去了，藝術勞動的光景沒有甚麼變動，且客觀環境越來越嚴峻。她很想舊事重提，面對現實。這裡是翻新後的發表。
Michael Leung / ON LAND 04: Intergalactic Thinking 「在地」四：系際思維
Michael Leung shuttles between empirical planes, intellectual horizons and concrete dwellings of diverged spatio-temporal orderings… to assert research that is multi-species, and art that is energy that runs through all realms of living. 「萬物」在梁志剛的漂流路上漸成一張網，少數邊緣的、系統與系統之間的、跨族類的都可以平放或結連。思路無邊，在無政府主義狀態到專制主義運作之間，香港的形影浮現。學術研究如何實踐系際思維？
