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Category: Coffee Fantasia 咖啡經

個人沈溺可以是有趣的,只要分享,找你的「專家」同路人。咖啡,只是個起頭、代號…。又或你有呷一杯茶的瞬間可以吞吐的一個臨時想法。Everything about coffee... … Coffee plants. Coffee beans. Coffee plantation. Roasted beans. Fair trade. Genesis of coffee drinking. Coffee pots. Coffee cups. Coffee makers. Hand-crafted coffee. Coffee-drinking culture. Coffee and health. Coffee as medicine. Coffee as leisure. Discourse ownership of coffee culture. History of cafes. Politics of world produces. First generation coffee culture. Second generation coffee culture. Third generation coffee culture. Fourth generation coffee culture. Connoisseur perspective. Political history of coffee culture. Coffee academy. Barista. Cafes. Coffee furniture. Coffee-table books. … We are joking!!! Replace “coffee” with any noun — personal obsessions of yours. A tentative thought that may fuel up the slow sip of a cuppa.

Cherie Wong / My dream fragments 1: Understand or communicate? Fragments of my fragmentary thoughts 我的夢碎片 (一): 想了解,卻沒有踏出溝通的一步 // 一個人的碎碎念

Cherie Wong / My dream fragments 1: Understand or communicate? Fragments of my fragmentary thoughts 我的夢碎片 (一): 想了解,卻沒有踏出溝通的一步 // 一個人的碎碎念

好奇心驅使之下,Cherie Wong 讀佛洛依德的理論,希望能從心理分析、潛意識和夢中認識自己。答案雖然並沒有像劇本般理所當然地走出來,她卻找到另一個切入點去看這個問題。To understand how her personality was formed, Cherie Wong delved into Freudian concepts. Psychoanalysis, unconsciousness and dreams interpretation do not result in a clearer picture of who she is, and yet she landed on new artistic possibilities.

六顆子彈 6 Bullets, an exchange

六顆子彈 6 Bullets, an exchange

FPC dialogues… Jess Lau wrote a poem and shared it with Linda Lai, who wrote a poem in response. The exchange develops into that of images. 劉清華隨心寫了一首詩,分享了給黎肖嫻。黎回了另一首詩。後來這個對話由文字推至圖像。

LAI Wai-leung / 不是影評。從光華迸發到日暮星沉,由舊戲「英雄本色」說起  A Better Tomorrow and beyond, not a film review

LAI Wai-leung / 不是影評。從光華迸發到日暮星沉,由舊戲「英雄本色」說起 A Better Tomorrow and beyond, not a film review

In an extended roll call of local made movies, FP writer Wai-leung Lai tells an integrated story of his history of local film viewing, an assertion of the right of a serious non-expert viewer’s voice to be heard. After, popular cinema is a specific way to connect with the ordinary people on the level of living. And after all, Readership Theories have covered much ground in film and media studies in the past 30 something years in the academia. 黎偉亮一個人睇戲的故事,追述多年來看港產片的心跡,說明了用心看戲也就是用心活著。一個用心的觀眾絕對有權在「影評」的建制圈外肯定表述的聲音。

Ryan Chung / let the mind speak 5: Loneliness is a Cry for Nothing「思維自說自話」5 : 孤單是無端而吶喊

Ryan Chung / let the mind speak 5: Loneliness is a Cry for Nothing「思維自說自話」5 : 孤單是無端而吶喊

Finding an ensemble of words to give form, thickness and density to flickering thoughts and fleeting sentiments is Ryan Chung’s persistent experiment in his “let the mind speak” series — speaking for its own sake, this time, “loneliness” must imprint its presence… What is the vocabulary of our own loneliness? 表述是為了堅守表述自由的維度。孤單是怎樣的?孤單的語彙是怎樣的?說了就是。鍾樹仁的思維自說自話。

Michael Leung / ON LAND 13: There’s No Need to Add Oil Anymore (a fictional story)「在地」十三:不再需要加油(虛構故事)

Michael Leung / ON LAND 13: There’s No Need to Add Oil Anymore (a fictional story)「在地」十三:不再需要加油(虛構故事)

Is it a dream, nightmare, mind escape, or transcendent float in time-space? It takes a fictional moment to fully embody Michael Leung’s many episodes of intergalactic traversal, to regain the potency to enter a boundless performative space. 虛擬不一定是逃脫,反而是全情貫注的為跨界、跨域、跨族類的慾望賦予實質、形骸,以至可在其中遊蕩潛行,延展無邊際的演述空間。

Linda Lai / 方寸之間。氣流。你在牆上留了個暗號。Love in the Time of COVID-19. You’ve left a mark at the foot of the wall. (a poem)

Linda Lai / 方寸之間。氣流。你在牆上留了個暗號。Love in the Time of COVID-19. You’ve left a mark at the foot of the wall. (a poem)

她(黎肖嫻)寫了一首別人的情詩。已沒有話可述說愛情,只知道「想」之際自覺存在多一點。找文學對愛情的書寫,總覺女作家和男作家的視野不盡相同。沒有性別基要主義。只是好奇。想聽讀者們的回贈,讓她不落入自說自話的荒涼。Linda Lai wrote a poem contemplating the phenomenology of being in love and losing it. Great quotes from the internet were grabbed in search of the male protagonist’s voice, says she. Let’s have a conversation!

Natalie Chao / Wilderness poems #5: “the land of logs”
LAM Kin-choi / 林建才手繪「逆流索引」六:夢  DREAMING, “Quotidian Diversions: Kin-choi Lam in search of time lost” 06
The Ventriloquists 01. Description as Storytelling…ask the objects, by Jake Wong 死物不死:描述也是敘述(黃汛一)

The Ventriloquists 01. Description as Storytelling…ask the objects, by Jake Wong 死物不死:描述也是敘述(黃汛一)

“The Ventriloquists…Thinking Narratively” (4-17 July 2020), begins with the on-line version of Jake Wong’s response to generative literature. | Generative Art –> Creative writing –> A story “generated” by surroundings –> “the window, the door, the cobble and the knife” | To Jake, what he offers is a framework — an initial state of a writing game that is endless with infinite iterations as long as we keep writing. Welcome to join. 《腹語系。微敘思考》啟動的第一個作品是創作性的文字。作者黃汛一的思路如下:衍生性藝術 –> 創作性文字 –> 一個因環境而衍生的故事 –> 「窗。門。卵石。刀。」| 黃汛一說與其說這是完整的作品,不如把它看成一個寫作方法的種子示範,為誘更多的迭代,寫之不盡。

LAM Kin-choi / 林建才手繪「逆流索引」五:一分一秒  PRISON, “Quotidian Diversions: Kin-choi Lam in search of time lost” 05
Floating Projects Collective 2026