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Linda Lai / 第三十一個五月卅五日。只想留個標記。The 31st year, 35 May 2020, thoughts and words gathering …
Linda Lai / READING REPORT (3) Virus narratives: between scientific image and manifest image 讀書報告三:病毒敘事。「延」與「控」,自我技術,拉闊「科學圖像」和「人性圖像」

Linda Lai / READING REPORT (3) Virus narratives: between scientific image and manifest image 讀書報告三:病毒敘事。「延」與「控」,自我技術,拉闊「科學圖像」和「人性圖像」

  **feature image: Early drawings of bacteriophages destroying a bacterial cell, based on electron micrographs, to appear in Russian periodicals.  ‘Drawing 3. 1—phage a; 2—phage g; 3—staphylococcus phage; Drawing 4. 4—phage attached to a bacterium; 5—phage pour out from the burst end of a bacterium; 6—“shadows” of a bacterium after phage’. (Reproduced courtesy of Nauka i […]

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Linda Lai / PUSH – scary stories  「推」:怕怕故事

Linda Lai / PUSH – scary stories 「推」:怕怕故事

Push: Scary Stories is a story about story-telling in Linda Lai’s childhood, her land of fear and fascination co-created with her Grandma before bedtime. 「推」,推開了神秘的門,領進魔幻之地。《推:怕怕故事》推開了作者童年時候床頭說書的外婆伴著編織的幻想世界。這門,不過是眾多要推開的門的一道。

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Linda Lai / A certain state of mind… poems from automatic writing (1) 不假思索 – 喃喃自語(一)

Linda Lai / A certain state of mind… poems from automatic writing (1) 不假思索 – 喃喃自語(一)

Push! And a door will open. Push is a special charm to Linda Lai, a magic word she has used for several of her artworks, “PUSH Push – automatism” shares glimpses of her mind-scape, an enigmatic zone with strides of montage and poetry.「推」,推開了神秘的門,領進魔幻之地。《推。推。不假思索》推開了作者某幾個時刻的紛繁思潮世界。斷、折,又絲連。是詩與蒙太奇的步履。

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Linda Lai / Reading RAQS Media Collective: Manifesto 2 artists inspired: to be an artist by night? 「錄像宣言」的延伸閱讀:藝術勞工的景況:做個夜更的藝術家?

Linda Lai / Reading RAQS Media Collective: Manifesto 2 artists inspired: to be an artist by night? 「錄像宣言」的延伸閱讀:藝術勞工的景況:做個夜更的藝術家?

兩位參與「錄像宣言2」計劃的藝術家,在工作坊裡分享了一篇感動過他們的文章 — RAQS Media Collective 的 Monica Narula 於 2012年寫的「如何做夜更的藝術家:藝術學院 [給21世紀的提案]」。為了快點分享給更多的藝術創作者,黎肖嫻以局部引述和中文翻譯去展示,並加以短論,望引來更多討論。Two Manifesto 2 artists share an article of impact on them in an artist’s workshop session — “How to be an artist by night. Art School (Propositions for the 21st Century)” written in 2012, by RAQS Media Collective’s Monica Narula. A series of selected quotes from the piece was assembled by Linda Lai here with Chinese translation and a short commentary.

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Linda Lai / READING REPORT (2): To Zoom or not to Zoom: More Questions 「讀書報告」二:Zoom不Zoom?沒有純科技問題。

Linda Lai / READING REPORT (2): To Zoom or not to Zoom: More Questions 「讀書報告」二:Zoom不Zoom?沒有純科技問題。

有關Zoom的激烈討論至今已冷卻,如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上,黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。沒有純科技問題。如何活在大數據時代?Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts. This is part 2 to complete: how to live in a big data milieu?

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Linda Lai / READING REPORT (1): To Zoom or Not to Zoom: is that the question?「讀書報告」一:計算好,網上見。Zoom不Zoom?

Linda Lai / READING REPORT (1): To Zoom or Not to Zoom: is that the question?「讀書報告」一:計算好,網上見。Zoom不Zoom?

有關Zoom的激烈討論至今已冷卻,如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上,黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts.

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Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動:如何記住,記憶的實作(一)

Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動:如何記住,記憶的實作(一)

Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists’ conversations. We kick off with team-members’ words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動,將在此園地陸續發表。首先,團隊成員的其中三位 – 黎肖嫻、黃慧心、黃淑賢 — 先來道出這次計劃點滴心思與憧憬。

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Linda Lai / Levitated Potentiality 2: software writing, soliloquy & magic 《移形换步》之2 – 機器書寫、喃喃自語、變戲法

Linda Lai / Levitated Potentiality 2: software writing, soliloquy & magic 《移形换步》之2 – 機器書寫、喃喃自語、變戲法

“Levitated Potentiality 2019,” presented by FP at the FLAME Festival HK, gathers video works that connect with the experimental tradition, highlighting the narrative intricacy of the very process of an image discourse unfolding in time. 8 artists shows 14 video works.

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“Elemental Dynamite” kicks off this week with rare treasures

“Elemental Dynamite” kicks off this week with rare treasures

[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。

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Floating Projects Collective 2026