
“Is double standard the emblem of our social reality?” — Niki Siu’s annotations on her week-long POP-UP “Laugh At Last: Gingerbread Man’s Destiny” at Floating Projects, 8-14 May 2021, the result of a half-year long thesis-art production.「雙重標準是社會現實的代表?」蕭麗琦為她的畢業論文作品作註腳,從民間流傳的故事薑餅人說起。
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Quarantine fantasia… an evolving list of moving images. Linda Lai’s quarantine diaries 05. 隔離狂想。不斷連線的活動影像。黎肖嫻「隔離手記」第5篇。
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Seven artists are selected winners of the various awards. The 63-work exhibition “The Ventriloquissts…Thinking Narratively” plus two screenings all completed… 《腹語系。微敘思考》63個作品的展覽及兩場放映已圓滿結束。七位創作者的作品獲獎項嘉許。
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Four works on a monitor… collage, montage, still and moving. Restless assertions. Inquisitive hypothesis… 動動象。打開動畫。自言自語。若有所失。
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Eight projections on a flat service… collage, montage, still and moving. Restless assertions. Inquisitive hypothesis… 動動書。一個意象接另一個意象。8個投在小桌面上的思考流,隨你參詳。
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Five Ventriloquists artists show their dreamwork created with their own audio-visual language. It all lies in the crevices, fractures and gaps between shots, between locations, between actions… 夢作業是人存在的無形證據,實在處在夢象與夢象之間,在夾縫中,在虛處,在結合之間的斷裂處,是眾數的斷層。《腹語系》創作者也參與構築夢的敘事語法。
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With Videography. Micro Narratives. Temporal Beings. Our Manifestos (2018.07), seven young artists put forth their interim statements on what they have done with videography, why, and open ends that could be taken into the future. The 140 pages of writings (plus a DVD of video works) are not all that came out of the three years of contemplation, research and queries. …
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