
Here we have recorded thoughts that could only be preserved and shared in words, from FPC members, including those just arriving and departing, between FP 1.0 and FP 2.0. 「據點。句點」1.0 與 2.0 之間,新成員、舊成員、離開了的成員,都用上了時間去勾畫這片據點。
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FP insider Wai-leung Lai (FP writer) takes an outsider’s view on the 3-year FP 1.0 at Wong Chuk Hang. 據點作者黎偉亮用局中人的局外視點輕輕的回看在黃竹坑的「據點 」第一個三年。
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In the 4th piece of his “Just Around You” series, FP writer/manager Wai reconstructs a shared HK experience from 15 years ago, which is also a lament for loss…「總在你身邊」要說的是這個地方普通人的故事,其中人物的名字或故事情節容或杜撰,但角色的處境及遭遇皆為我所知所遇所見所聞,志在刻劃現實。系列的第四篇較為特別,重塑15年前的集體經驗,也是一篇悼文。
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FP writer Wai-leung Lai turned his sentiments for the thick urban space of Hong Kong into fictional encounters in a serial. Part 3 seems to be a story of the person next door, whose emotions spill over three kinds of coffee-drinking. 黎偉亮寫實、描述、虛擬。是認知、理解世界的滾軸過程。說是故事其實是鄰家的她或他,沒有對錯,難分悲喜。真正的故事,始於敘事結束之後… …,唯一實實在在的是可點可喝的咖啡。
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FP writer Wai-leung Lai turned his sentiments for the thick urban space of Hong Kong into fictional encounters in a serial format. Part 2 of a crime story, apparently, is a twist into self-awakening. 寫實、描述、虛擬。是接觸世界的滾軸過程。誰知道敘事發展下去會觸及那些點?黎偉亮的一件「案件」其實是… …
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Stock-taking at Floating Projects. Model-mania. Please insert. 據點打開門,點子上倉。模型經。偉師傅起頭,歡迎插入。
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FP writer Wai-leung Lai turned his sentiments for the thick urban space of Hong Kong into fictional encounters in a serial format. Part 1 of a crime story apparently… What is it opening up? 寫實、描述、虛擬。是接觸世界的滾軸過程。誰知道敘事發展下去會觸及那些點?黎偉亮從一件「案件」開始。
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A series of stories on glimpses of everyday street life in Hong Kong, from FP writer Wai-leung Lai’s eye-witness, starting with a bowl of rice with BBQ pork… 據點作者黎偉亮一連串有關本地街頭日常點滴的短篇,由一碗叉燒飯開始。
\nFP member Andio Lai, Co-curator of “Toy as Medium” (opening 20 Nov 2016), recalls the meandering trail of his childhood events, code-named “Cyclone Magnum.”
\n![Lai Wai-leung / Military Miniature, My Toy, My Medium: A Maker’s Journal 軍事模型,我的媒體 ,我的玩具:玩家日誌 [“Toy as Medium” count-down]](/2016/11/Model-making02_RT-1024x576.jpg)
FP member Wai traces the making of his 15 pieces at “Toy as Medium,” revealing the mind of a devoted miniature maker whose obsession has a rational dimension. He finally came back to his “craft” after 35 years of no model-making.
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