
FP writer W.L. Lai asserts life worth living as he recalls HK students once upon a time
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[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung’s strategy of rendering public records to “becoming private,” “expressing some things and feelings too nuanced to be expressed in words.”
\n“This night, no dawn…,” FP writer W.L. Lai ruminates and asks, “What was it that took these young people to the street on a day when they could have been drinking, eating and fun-making?” 這一夜,看不到黎明 / 黎偉亮
\nWong Chun-hoi pins down his critical parameters for the highly acclaimed “Ten Years” series … 《十年》,二十日後感 / 王鎮海
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FP writer W.L. Lai walks through Wanchai of the 1970s & 1980s in 2016… Gentrification and more… 灣仔 / 黎偉亮
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[source of banner image: http://www.artsportagecounty.org/our-initiatives/creative-economy-inventory-project/] 『創意產業』,一個看似原創的名詞,初聽到時,口中唸著唸著,總有種怪怪的欠缺自然的感覺,感覺何來?我嘗試用普通常識、常人角度對這複合名詞說出常人一般的聯想。 創意:純大腦運作。建基於固有知識,源於生活並帶有改善生活的功能;亦可天馬行空,作前人之未作,純粹為解放固有觀念或思想。兩者皆以 social innovation為目的。 產業:牽涉土地運用、人力資源、融資、成本控制,旨在以最低成本謀取最高回報並尋求不斷的利潤增長。 啊…….. 彷然大悟! 這兩種東西之間原來存在著根本上的矛盾,硬把它們拉一起,甚至產生邏輯上的謬誤。 規劃化後的『創意產業』論述可又另一回事。
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